1.05 Bloody Mary

Dean (voiceover): Previously on Supernatural...
All scenes from 1.01 Pilot until otherwise noted.
The Winchesters' suburban home.
WHAT HAPPENED THAT NIGHT
Mary runs up the stairs and into Sam's nursery.
John gives baby Sam to Dean.
John: Take your brother outside as fast as you can! Now, Dean, go!
John looks back.
WHAT THEY WITNESSED
Mary burns on the ceiling.
John: Mary! No!
John watches the nursery burn, Mary with it.
SENT TWO BROTHERS
On Sylvania Bridge, Dean and Sam turn to face the onlookers.
In Sam's apartment, Dean speaks to Sam and Jess.
Dean: Dad's on a hunting trip.
Outside Constance's house, Dean fires through the Impala's window at Constance.
In Sam's bedroom, Sam pulls out his curved knife.
In Sam's apartment, Dean speaks to Sam and Jess.
Dean: And he hasn't been home in a few days.
ON A QUEST FOR ANSWERS 22 YEARS LATER
In the stairwell from Sam's apartment, Sam speaks to Dean.
Sam: I swore I was done hunting.
In the Impala, Constance tries to rip Sam's heart out.
Dean: I can't do this alone.
Blood drips on Sam's forehead and he flinches, opens his eyes, and gasps in horror. Jess is pinned to the ceiling, bleeding.
Sam: No!
Sam finishes loading a shotgun and tosses it in the Impala's trunk.
Sam: We've got work to do.
In the Jericho county Sheriff's office, the Sheriff throws down John's journal.
Dean (voiceover from 1.02 Wendigo): This is Dad's single-
From 1.02 Wendigo, Dean holds John's journal out to Sam.
Dean: -most valuable possession-everything he knows about every evil thing is in here. I think he wants us to-
From 1.01 Pilot, the weapons box.
Dean (voiceover from 1.02 Wendigo): -pick up where he left off.
From 1.01 Pilot, Sam pulls Dean inside the motel room.
Dean (voiceover from 1.02 Wendigo): You know, saving people.
From 1.02 Wendigo, Sam and Dean guard Haley and Ben.
Dean (voiceover from 1.02 Wendigo): Hunting things.
From 1.02 Wendigo, Dean talks to Sam.
Dean: The family business.
Sam: No. I gotta find Jessica's killer.
From 1.02 Wendigo, Sam approaches Jess's grave.
Sam (voiceover from 1.02 Wendigo): It's the only thing I can think about.
From 1.02 Wendigo, Dean talks to Sam, both leaning on the Impala.
Dean: Sam, you know we're gonna find Dad, right?
Sam nods.
Sam: Yeah. I know.

Toledo, Ohio
INT. SHOEMAKER LIVING ROOM - NIGHT
Three girls are laughing, gathered around a table with candles. The candlelight is the only light.
Girl 1: Okay, your turn, truth or dare?
Lily: Truth.
Girl 1: Do you want to make out with Benji Swartz?
Girl 2 laughs.
Lily: Dare.
Girl 1: Okay, lame. You have to...say "Bloody Mary" in the bathroom.
Lily: Is that the best you can come up with?
Girl 2: Who's Bloody Mary?
Girl 1: She's this witch.
Lily: I heard she was a lady killed in a car crash.
Girl 1: It doesn't matter who she is. Point is, if you say her name three times in the bathroom mirror she appears...and scratches your eyes out!
Lily and Girl 2 jump.
Girl 2: So why would anyone say it?
Lily: Because it isn't real.
Lily gets up, and Girl 1 hands her a candle.
Girl 1: No turning on the lights, and remember...three times.

INT. BATHROOM - NIGHT
Lily opens the bathroom door. She looks at the shadows on the wall, then closes the door and puts the candle down in front of the mirror.
Lily: Bloody Mary. This is so stupid. Bloody Mary.
The candle flickers. Lily looks at it. A long pause.
Lily: Bloody Mary.
A pause. A loud noise. Lily shrieks. Pounding on the door.

EXT. HALLWAY - NIGHT
Lily opens the door to find Girls 1 and 2, laughing.
Girl 1: Scared ya.
Lily: You guys are jerks.
Steven: Lily.
Lily looks up to the top of the stairs, where she sees her father, Steven Shoemaker.
Steven: Do you mind keeping it down?
Lily: Sorry, Daddy.
Girls 1 & 2: Sorry, Mr. Shoemaker.
Steven heads upstairs. He passes several mirrors; each has Bloody Mary.

INT. UPSTAIRS BATHROOM - NIGHT
Steven takes some pills out of the bathroom medicine cabinet and closes the cabinet, revealing another mirror. He pops the pills in his mouth, then looks closer at the mirror, noticing some scratches under his eye.

INT. LIVING ROOM - DAY
Lily and both Girls are giggling together.
Girl 2: You so like him!
Donna, Lily's older sister, comes in the front door.
Donna: Hey, geek. You guys having fun?
Lily: You're out past curfew.
Donna: Thanks, Dad.
Donna goes upstairs.

INT. UPSTAIRS HALLWAY - NIGHT
A pool of blood coming out from under the bathroom door. Donna rounds the corner and sees it, stops, then starts forward more slowly. She hesitantly pushes open the bathroom door, revealing a great deal more blood. Donna screams.

INT. STANFORD APARTMENT - NIGHT
The entire scene is tinted blue.
From 1.01 Pilot, Sam lies on the bed, eyes closed. Jess is on the ceiling. Blood drips on Sam's forehead. He opens his eyes and sees her.
Jess: Why, Sam?
Sam: No!
Jess bursts into flame.
Jess: Why, Sam?

IMPALA

INT. IMPALA - DAY
Dean: Sam, wake up.
Dean is shaking Sam. Sam wakes, confused. He sits up and looks around. He's sitting shotgun in the Impala, which is parked in front of a large building.

Credit:

Starring JARED PADALECKI

Sam: I take it I was having a nightmare.

Credit:

JENSEN ACKLES

Dean: Yeah, another one.
Sam: Hey, at least I got some sleep.
Dean: You know, sooner or later we're gonna have to talk about this.
Sam: Are we here?
Dean: Yup. Welcome to Toledo, Ohio.
Sam picks up a newspaper with Steven Shoemaker's obituary circled.
Shoemaker, Steven
The Shoemaker family is sad to announce the sudden death of their beloved husband and father Steven Shoemaker. Steven was 46. A short service will be held on Wednesday, [...] 31 at 2:00 p.m. at the Toledo [...] and cherish you [...] Your [...]
Sam: So what do you think really happened to this guy?

Credit:

Guest Starring ADRIANNE PALICKI (Jessica Moore)

Dean: That's what we're gonna find out.

Credit:

MARNETTE PATTERSON (Charlie)

Dean: Let's go.
Dean and Sam get out of the car and head up to the building.

Credit:

WILLIAM TAYLOR (Detective Jackson Riley) CHELAN SIMMONS (Jill)

MORGUE

INT. HOSPITAL - DAY

Credit:

KRISTIE MARSDEN (Donna Shoemaker) Producer PETER JOHNSON

Sam and Dean walk down a hallway and head into room 144, marked Morgue.

Credit:

Supervising Producer PHIL SGRICCIA

There's two desks. The empty one has a nameplate that says Dr. D. Feiklowicz. Dean makes a face, trying to sound out the name in his head. The other one has the morgue technician.
Morgue Tech: Hey.
Dean: Hey.
Morgue Tech: Can I help you?

Credit:

Co-Executive Producer RICHARD HATEM

Dean: Yeah. We're the, uh...med students.
Morgue Tech: Sorry?

Credit:

Co-Executive Producer JOHN SHIBAN

Dean: Oh, Doctor-
Dean stumbles over the name.
Dean: -Figlavitch didn't tell you?

Credit:

Executive Producer McG

Dean: We talked to him on the phone. He, uh, we're from Ohio State.

Credit:

Produced by CYRUS YAVNEH

Dean: He's supposed to show us the Shoemaker corpse. It's for our paper.
Morgue Tech: Well, I'm sorry, he's at lunch.
Dean: Oh well he said, uh-

Credit:

Created by ERIC KRIPKE

Dean: -oh, well, you know, it doesn't matter. You don't mind just showing us the body, do you?
Morgue Tech: Sorry, I can't.

Credit:

Teleplay By RON MILBAUER & TERRI HUGHES BURTON

Morgue Tech: Doc will be back in an hour. You can wait for him if you want.

Credit:

Story By ERIC KRIPKE

Dean: An hour? Ooh. We gotta be heading back to Columbus by then.
Dean looks at Sam.
Sam: Yeah.
Dean: Uh, look, man, this paper's like half our grade, so if you don't mind helping us out-
Morgue Tech: Uh, look, man...no.
Dean laughs a little.

Credit:

Directed by PETER ELLIS

Dean turns around and mumbles.
Dean: I'm gonna hit him in his face I swear.
Sam hits Dean on the arm. He steps in front of Dean and opens his wallet and pulls out some twenties. He lays a few of them, at least five, down on the morgue tech's desk. The morgue tech snatches up the money. Dean's eyes roll and he turns away with a huff of frustration.
Morgue Tech: Follow me.
The morgue tech gets up and leaves. Dean grabs Sam when Sam tries to follow.
Dean: Dude, I earned that money.
Sam: You won it in a poker game.
Dean: Yeah.
Sam follows the morgue tech.

INT. MORGUE - DAY
Sam: Now the newspaper said his daughter found him. She said his eyes were bleeding.
The morgue tech pulls back the sheet over Steven's face.
Morgue Tech: More than that. They practically liquefied.
There is the sound of an indrawn breath from Dean.
Dean: Any sign of a struggle? Maybe somebody did it to him?
Morgue Tech: Nope. Besides the daughter, he was all alone.
Sam: What's the, uh, official cause of death?
Morgue Tech: Ah, Doc's not sure. He's thinking massive stroke, maybe an aneurysm? Something burst up in there, that's for sure.
Sam: What do you mean?
Morgue Tech: Intense cerebral bleeding. This guy had more blood in his skull than anyone I've ever seen.
Sam: The eyes... what would cause something like that?
Morgue Tech: Capillaries can burst. Uh, see a lot of bloodshot eyes with stroke victims.
Dean: Yeah? You ever see exploding eyeballs?
Morgue Tech: That's a first for me, but hey, I'm not the doctor.
Dean and Sam exchange a look.
Dean: Hey, think we could take a look at that police report? You know for, uh...our paper.
Morgue Tech: I'm not really supposed to show you that.
Sam, annoyed, pulls out his wallet.

INT. HOSPITAL - DAY
Sam and Dean are walking down stairs.
Sam: Might not be one of ours. Might just be some freak medical thing.
Dean: How many times in Dad's long and varied career has it actually been a freak medical thing and not some sign of an awful supernatural death?
Sam: Uh, almost never.
Dean: Exactly.
Sam: All right, let's go talk to the daughter.

SHOEMAKER HOUSE

INT. SHOEMAKER HOUSE - DAY
Dean and Sam walk into the wake. There is a picture of Steven Shoemaker on the desk. The attendees are all men in black suits and women in black dresses, except Dean and Sam.
Dean: Feel like we're underdressed.
They keep walking through the house towards the back.

EXT. SHOEMAKER BACKYARD - DAY
A man points Dean and Sam towards Donna and Lily Shoemaker, who are with their friends Jill and Charlie.
Dean: You must be Donna, right?
Donna: Yeah.
Sam: Hi, uh-we're really sorry.
Donna: Thank you.
Sam: I'm Sam, this is Dean. We worked with your dad.
Donna looks at Charlie, then back at Sam and Dean.
Donna: You did?
Dean: Yeah. This whole thing. I mean, a stroke.
Charlie: I don't think she really wants to talk about this right now.
Donna: It's okay. I'm okay.
Dean: Were there ever any symptoms? Dizziness? Migraines?
Donna shakes her head sadly.
Donna: No.
Lily turns around.
Lily: That's because it wasn't a stroke.
Donna: Lily, don't say that.
Sam: What?
Donna: I'm sorry, she's just upset.
Lily: No, it happened because of me.
Donna: Sweetie, it didn't.
Sam: Lily.
Sam gets down on eye level with Lily.
Sam: Why would you say something like that?
Lily: Right before he died, I said it.
Sam: You said what?
Lily: Bloody Mary, three times in the bathroom mirror.
A pause. Dean reacts with interest.
Lily: She took his eyes, that's what she does.
Donna: That's not why Dad died. This isn't your fault.
Dean: I think your sister's right, Lily. There's no way it could have been Bloody Mary. Your dad didn't say it, did he?
Lily: No, I don't think so.
Dean gives her a look of, "See?"

INSIDE SHOEMAKER HOUSE

INT. UPSTAIRS HALLWAY - DAY
Focus on one of the mirrors. Sam and Dean are seen in the mirror approaching it, then rounding the corner, before walking down a short hall.

INT. UPSTAIRS BATHROOM - DAY
Sam pushes the door open. There is still some dried blood on the floor.
Sam: The Bloody Mary legend...Dad ever find any evidence that it was a real thing?
Dean: Not that I know of.
Dean walks into the bathroom and Sam stoops to the floor and touches the dried blood.
Sam: I mean, everywhere else all over the country, kids will play Bloody Mary, and as far as we know, nobody dies from it.
Dean: Yeah, well, maybe everywhere it's just a story, but here it's actually happening.
Sam: The place where the legend began?
Dean shrugs and opens the medicine cabinet.
Sam: But according to the legend, the person who says B-
Sam looks at the medicine cabinet mirror, which now faces him, and closes it.
Sam: The person who says you know what gets it. But here-
Dean: Shoemaker gets it instead, yeah.
Sam: Right.
Dean: Never heard anything like that before. Still, the guy did die right in front of the mirror, and the daughter's right. The way the legend goes, you know who scratches your eyes out.
Sam: It's worth checking in to.

INT. UPSTAIRS HALLWAY - DAY
A woman visible from knees down approaches.

INT. BATHROOM - DAY
Sam and Dean leave the bathroom.

INT. UPSTAIRS HALLWAY - DAY
Charlie: What are you doing up here?
Dean: We-we, had to go to the bathroom.
Charlie: Who are you?
Dean: Like we said downstairs, we-we worked with Donna's dad.
Charlie: He was a day trader or something. He worked by himself.
Dean: No, I know, I meant-
Charlie: And all those weird questions downstairs, what was that?
The boys don't say anything as she looks from one to the other. Charlie crosses her arms to give her ultimatum.
Charlie: So you tell me what's going on, or I start screaming.
Sam: All right, all right. We think something happened to Donna's dad.
Charlie: Yeah, a stroke.
Sam: That's not a sign of a typical stroke. We think it might be something else.
Charlie: Like what?
Sam: Honestly? We don't know yet. But we don't want it to happen to anyone else. That's the truth.
Dean: So, if you're gonna scream,
Dean tilts his head.
Dean: go right ahead.
Charlie: Who are you, cops?
Sam looks over his shoulder at Dean, who gives a small nod.
Dean: Something like that.
Sam: I'll tell you what. Here.
Sam reaches into his pocket, pulls out a paper and pen, and starts writing down his cell number.
Sam: If you think of anything, you or your friends notice anything strange, out of the ordinary...just give us a call.
Sam hands her the paper as he and Dean walk down the hallway. Scene fades out.

LIBRARY

INT. LIBRARY - DAY
Scene fades in. Sam and Dean walk into the foyer of a library, rather dark for the time of day.
Dean: All right, say Bloody Mary really is haunting this town. There's gonna be some sort of proof, right? Like a local woman who died nasty.
Sam: Yeah but a legend this widespread it's hard. I mean, there's like 50 versions of who she actually is. One story says she's a witch, another says she's a mutilated bride. There's a lot more.
They walk in to the actual library.
Dean: All right so what are we supposed to be looking for?
Sam: Every version's got a few things in common. It's always a woman named Mary, and she always dies right in front of a mirror. So we've gotta search local newspapers-public records as far back as they go. See if we can find a Mary who fits the bill.
Dean: Well that sounds annoying.
Sam: No it won't be so bad, uh, as long as we...
He looks at the computers which all say "Out of Order" on them. Dean's gaze follows. Sam chuckles.
Sam: Huh. I take it back. This will be very annoying.
They take a step towards the computers and pause. Dean gives a bitchface. Sam looks over at Dean.

EXT. HIGHWAY - NIGHT and INT. BEDROOM - NIGHT, alternating
Charlie is driving in a car talking on her cell phone.
Charlie: I'm not sure. They were-they were cops or detectives or something.
Jill is in her room taking off her sweater.
Jill: Whoever they were, they were cute.
Charlie: Jill...
Jill: You didn't think so?
Charlie: Yeah okay they were cute. But still, do you think something could have happened to Donna's dad?
Jill: Maybe Lily was right. Maybe Bloody Mary got him.
Charlie: Ha ha, very funny.
Jill: Wait, I'm sorry. Was that fear I hear in your voice?
Charlie: No.
Jill: Charlie, I'm walking to the bathroom mirror right now.
Charlie: Jill, quit it.
Jill gets to her bathroom mirror.
Jill: Oh no, I can't help myself. I'm gonna say it. Bloody Mary. Bloody Mary. Bloody Mary.
Silence on the phone.
Charlie: Jill?
A pause. Jill screams.
Charlie: Jill!?!
Dead silence. Jill starts laughing.
Jill: You're such a freak, I'll call you tomorrow.
Jill hangs up the phone. After a shuddering sign, Charlie hangs up as well. Jill goes to her closet to finish getting changed.
"Sugar We're Going Down" by Fall Out Boy begins to play.
She opens the door, and on the inside there is a mirror, where we see Bloody Mary. She closes the closet door.

Music:

Am I more than you bargained for yet

She goes to sit down at her vanity, where of course there is another mirror and Bloody Mary again.

Music:

I've been dying to tell you want to hear

Jill takes her earrings out, and then Bloody Mary reflection again when Jill walks in front of her TV screen.

Music:

Cause that's just who I am this week Lie in the grass, next to the mausoleum

Jill goes back in the bathroom to wash her face, but as she bends down to wash, her reflection in the mirror stays standing. She looks up and sees her reflection looking at her as if it were another person. Jill starts panicking as the reflection in the mirror starts oozing blood out of its eyes. She reaches up and feels blood on her own face.
Reflection: You did it. You killed that boy.
Jill falls down after seemingly being strangled to death as her reflection in the mirror watches her with satisfaction.

DREAM SEQUENCE
The entire scene is tinted blue.
The flames are sucked up into Jessica's body. Drops of blood on Sam's forehead, Jessica inhales, and a call of "Why Sam?"

INT. MOTEL - DAY
Sam wakes up with a gasp. He pants for a bit, getting his breathing under control. Dean is at the table, surrounded by books.
Sam: Why'd you let me fall asleep?
Dean: Cause I'm an awesome brother. So what did you dream about?
Sam: Lollipops and candy canes.
Dean: Yeah, sure.
Sam: Did you find anything?
Dean: Oh besides a whole new level of frustration? No. I've looked at everything.
Sam props himself up on his elbow.
Dean: A few local women, a Laura and a Catherine committed suicide in front of a mirror, and a giant mirror fell on a guy named Dave, but uh, no Mary.
Sam falls back on the bed.
Sam: Maybe we just haven't found it yet.
Dean: I've also been searching for strange deaths in the area, you know...eyeball bleeding, that sort of thing. There's nothing. Whatever's happening here, maybe it just ain't Mary.
Sam's cell phone rings. He answers it.
Sam: Hello?
A look of concern comes across Sam's face.

PARK

EXT. PARK - DAY
Charlie is sitting there and Dean is sitting on the back of it, and Sam is standing there. Charlie is crying.
Charlie: And they found her on the bathroom floor. And her-her-her eyes. They were gone.
Sam: I'm sorry.
Charlie: And she said it.
Dean looks up at Sam, who returns the look.
Charlie: I heard her say it. But it couldn't be because of that. I'm insane, right?
Dean: No, you're not insane.
Charlie: Oh God, that makes me feel so much worse.
Sam: Look. We think something's happening here. Something that can't be explained.
Dean: And we're gonna stop it but we could use your help.

INT. JILL'S BEDROOM - DAY
Charlie comes in and locks the door. She then goes over to the window and opens it, where Sam and Dean are waiting to enter. Sam enters first and Dean throws him a duffel bag. Sam sets it on the bed and starts going through it.
Sam: What did you tell Jill's mom?
Charlie: I just said that I needed some time alone with Jill's pictures and things.
Sam pulls something out of the bag and Dean shuts the curtains.
Charlie: I hate lying to her.
Dean: Trust us, this is for the greater good. Hit the lights.
Charlie goes over to turn off the lights.
Charlie: What are you guys looking for?
Dean: We'll let you know as soon as we find it.
Sam has a digital camera ready, and hands it to Dean.
Sam: Hey, night vision.
Dean turns on the night vision for him.
Sam: Thanks. Perfect.
The digital camera is aimed at Dean.
Dean: Do I look like Paris Hilton?
Dean wiggles his eyebrows and Sam huffs. Sam walks away with the camera. He opens Jill's closet door and begins filming around the mirror. Dean pulls out the EMF meter to get some readings.
Sam: So I don't get it. I mean...the first victim didn't summon Mary, and the second victim did. How's she choosing them?
Dean: Beats me.
Sam closes the closet door.
Dean: I want to know why Jill said it in the first place.
Charlie: It was just a joke.
Dean: Yeah well somebody's gonna say it again, it's just a matter of time.
Sam is in the bathroom filming around the mirror when he stops and sees trickles of something running out from behind the mirror.
Sam:Hey.
Dean and Charlie turn to look at him.
Sam: There's a black light in the trunk, right?
Sam has carried the mirror out to Jill's bed and lays it on the bed upside down. Dean throws him a black light. Sam peels off the brown paper that is on the back of the mirror. Sam shines the black light over the back of the mirror and we see a handprint, and the words "Gary Bryman."
Charlie: Gary Bryman?
Sam: You know who that is?
Charlie: No.
Dean and Sam exchange a look of concern.

EXT. PARK - DAY
Dean and Charlie are sitting on a bench, and Sam comes up behind them.
Sam: So, Gary Bryman was an 8-year-old boy. Two years ago he was killed in a hit and run. The car was described as a black Toyota Camry. But nobody got the plates or saw the driver.
Charlie: Oh my God.
Sam: What?
Charlie: Jill drove that car.
Dean and Sam exchange a look.
Dean: We need to get back to your friend Donna's house.

INT. BATHROOM - DAY
Sam and Dean are hunched over the back of the mirror with a black light. There is a handprint on it, and the words "Linda Shoemaker".
Sam: Linda Shoemaker.

INT. LIVING ROOM - DAY
Donna: Why are you asking me all this?
Sam: Look, we're sorry, but it's important.
Donna: Yeah. Linda's my mom okay? She overdosed on sleeping pills, it was an accident, and that's it.
Charlie looks at the boys, scared.
Donna: I think you should leave.
Dean: Now Donna, just listen.
Donna: Get out of my house!
Donna runs upstairs.
Charlie: Oh my God. Do you really think her dad could've killed her mom?
Sam: Maybe.
Charlie: I think I should stick around.
Dean: All right. Just whatever you do, don't-
Charlie: Believe me, I won't say it.

INT. MOTEL - NIGHT
Dean is at a computer and Sam is looking at some things posted on the wall.
Sam: Wait, wait, wait. You're doing a nationwide search?
Dean: Yep. The NCIC, the FBI database-at this point any Mary in the country who died in front of a mirror is good enough for me.
Sam: But if she's haunting the town, she should have died in the town.
Dean: I'm telling you there's nothing local, I've checked. So unless you got a better idea-
Sam: The way Mary's choosing her victims, it seems like there's a pattern.
Dean: I know, I was thinking the same thing.
Sam: With Mister Shoemaker and Jill's hit and run.
Dean: Both had secrets where people died.
Sam: Right. I mean there's a lot of folklore about mirrors-that they reveal all your lies, all your secrets, that they're a true reflection of your soul, which is why it's bad luck to break 'em.
Dean: Right, right. So maybe if you've got a secret, I mean like a really nasty one where someone died, then Mary sees it, and punishes you for it.
Sam: Whether you're the one that summoned her or not.
Dean: Take a look at this.
A picture of a woman lying by a mirror in a puddle of blood. Dean prints out another picture and hands it to Sam. The picture is of a handprint and the letters "Tre"
Sam: Looks like the same handprint.
Dean: Her name was Mary Worthington. An unsolved murder in Fort Wayne, Indiana.
Dean looks at Sam, who looks back. They may have just figured it out.
Detective (voiceover): I was on the job

FORT WAYNE

INT. DETECTIVE'S LIVING ROOM - DAY
Fort Wayne, Indiana
Detective: for 35 years-detective for most of that. Now everybody packs it in with a few loose ends, but the Mary Worthington murder-that one still gets me.
Dean: What exactly happened?
Detective: You boys said you were reporters?
Sam: We know Mary was 19, lived by herself. We know she won a few local beauty contests, dreamt of getting out of Indiana, being an actress. And we know the night of March 29th someone broke into her apartment and murdered her, cut out her eyes with a knife.
Detective: That's right.
Dean: See sir, when we asked you what happened, we wanted to know what you think happened.

INT. DETECTIVE'S HOME OFFICE - DAY
The detective is pulling some files out of a file cabinet.
Detective: Technically, I'm not supposed to have a copy of this.
The detective opens a file to the picture Sam and Dean found on the computer.
Detective: Now see that there? T-R-E?
Dean: Yeah.
Detective: I think Mary was trying to spell out the name of her killer.
Sam: You know who it was?
Detective: Not for sure. But there was a local man, a surgeon-Trevor Sampson.
The detective pulls out a picture of a man.
Detective: And I think her cut her up good.
Sam: Now why would he do something like that?
Detective: Her diary mentioned a man that she was seeing. She called him by his initial, "T". Well, her last entry, she was gonna tell "T"'s wife about their affair.
Dean: Yeah but how do you know it was this Sampson who killed her?
Detective: It's hard to say, but the way her eyes were cut out...it was almost professional.
Dean: But you could never prove it?
Detective: No. No prints, no witnesses. He was meticulous.
Dean: Is he still alive?
Detective: Nope.
The detective sits down and sighs
Detective: If you ask me, Mary spent her last living moments trying to expose this guy's secret. But she never could.
Sam: Where's she buried?
Detective: She wasn't. She was cremated.
Dean rolls his eyes. This job just got harder.
Dean: What about that mirror?
Dean nods at the one in the picture.
Dean: It's not in some evidence lockup somewhere is it?
Detective: Ah, no. It was returned to Mary's family a long time ago.
Sam: You have the names of her family by any chance?

INT. GIRL'S BATHROOM - DAY
Donna and Charlie are walking into the school bathroom.
Donna: I mean, you bring these strangers into my house and they ask me things like that?
Charlie: They were only trying to help. Please, Donna, you have to believe me.
Donna: What? About Bloody Mary?
They stop in front of the mirror.
Charlie: Please, I know it sounds crazy-
Donna: Crazy doesn't even begin to cover it. I mean it's one thing for my sister to believe this crap, she's 12. But you?
Charlie: But the way your dad died, okay? And the way Jill died.
Donna: Okay so-
Donna turns to face the mirror.
Donna: Bloody Mary.
Charlie: No!
Donna: Bloody Mary. Bloody Mary.
Donna turns back to face Charlie.
Donna: See? Nothing happened.
Charlie: Why would you do that?
Donna: Oh my God. There really is something wrong with you.

INT. SCHOOL HALLS - DAY
Charlie is walking slowly down past some windows into the classroom being upset, and Bloody Mary is in one of them.

INT. CHEMISTRY CLASS - DAY
Teacher: Elements that loose electrons become positive ions, which are smaller than other atoms of the same element.
Charlie opens up her compact.
Teacher: Therefore the ionic radius is smaller than the atomic radius.
Charlie sees Bloody Mary in the corner of the reflection and screams. She slams the compact closed. The class freaks out as she starts running around the room.
Teacher: Charlie!
Charlie sees the reflection of Mary in the window of the door. She screams twice at it, picks up a stool, and throws it through the window, breaking the reflection.
Teacher: Charlie!!!
The teacher catches Charlie.
Teacher: Charlie stop it! What's wrong!? Just calm down.
Charlie sees Mary in the reflection of the teacher's glasses.
Charlie: Aah! Let me go!
Teacher: Charlie!
Charlie runs out of the room.

EXT. HIGHWAY - DAY
The Impala is driving down a two lane road. "Rock of Ages" by Def Leppard is playing. Sam is on his cell phone.
Sam: Oh really? Ah that's too bad Mr. Worthington.

Music:

All right

Sam: I would have paid a lot for that mirror. Okay, well maybe next time.
The Impala's engine grows louder until it passes the camera, then it fades as the car continues driving away.

INT. IMPALA - DAY
Sam: All right, thanks.

Music:

Ow

Sam hangs up.
Dean: So?
Sam: So that was Mary's brother.

Music:

Gonna start a fire

Sam: The mirror was in the family for years, until he sold it one week ago-
Dean glances over at Sam, before looking back at the road.

Music:

C'mon! Rise up! Gather round Rock this place to the ground

Sam: -to a store called Estate Antiques. A store in Toledo.
Dean's face reflects dawning comprehension.

Music:

Burn it up let's go for broke Watch the night go up in smoke

Dean: So wherever the mirror goes, that's where Mary goes?
Sam: Her spirit's definitely tied up with it somehow.

Music:

Rock on! Rock on! Drive me crazier

Dean: Isn't there an old superstition that says mirrors can capture spirits?

Music:

No serenade, no fire brigade Just the Pyromania

Sam: Yeah there is. Yeah, when someone would die in a house people would cover up the mirrors so the ghost wouldn't get trapped.

Music:

What do you want? What do you want?

Dean: So Mary dies in front of a mirror, and it draws in her spirit.

Music:

I want rock'n'roll

Sam: Yeah but how could she move through, like, a hundred different mirrors?

Music:

Yes, I do

Dean: I don't know, but if the mirror is the source, I say we find it and smash it.

Music:

Long live rock'n'roll Oh let's go

Sam: Yeah, I don't know, maybe.

Music:

Let's strike a light We're gonna blow like dynamite

Sam's cell phone rings.

Music:

I don't care if it takes all night Gonna set this town alight

Sam: Hello.
The look of concern comes across his face again

Music:

C'mon!

Sam: Charlie?
Dean glances over at Sam with a look of concern.

MOTEL

INT. MOTEL - DAY
Charlie is sitting on the bed with her head on her knees and Sam and Dean have all of the curtains drawn shut, and are throwing sheets over the mirrors, or facing them to the wall or floor. Sam sits next to Charlie.
Sam: Hey, hey it's ok. Hey, you can open up your eyes Charlie. It's okay, all right?
Charlie looks up slowly.
Sam: Now listen. You're gonna stay right here on this bed, and you're not gonna look at glass, or anything else that has a reflection, okay? And as long as you do that, she cannot get you.
Charlie: But I can't keep that up forever. I'm gonna die, aren't I?
Charlie looks over at Dean. A tear falls down her cheek.
Sam: No. No. Not anytime soon.
Dean sits on the bed, too.
Dean: All right Charlie. We need to know what happened.
Charlie: We were in the bathroom. Donna said it.
Dean: That's not what we're talking about.
Charlie turns her tear streaked face to Dean, afraid to talk.
Dean: Something happened, didn't it? In your life...a secret...where someone got hurt.
Charlie turns her head to the side. more tears falling. Dean and Sam exchange a look between them.
Dean: Can you tell us about it?
After a moment, Charlie looks over at Dean to talj. Her voice is trembling, and another tear falls.
Charlie: I had this boyfriend.
Dean exchanges a look with Sam.
Charlie: I loved him. But he kind of scared me too, you know? And one night, at his house, we got in this fight. Then I broke up with him, and he got upset, and he said he needed me and he loved me, and he said "Charlie, if you walk out that door right now, I'm gonna kill myself."
Dean and Sam exchange a knowing look.
Charlie: And you know what I said? I said "Go ahead." And I left. How could I say that? How could I leave him like that? I just...I didn't believe him, you know? I should've.
Charlie puts her face back on her knees and starts crying again.

EXT. HIGHWAY - NIGHT
A car horn is heard passing. It's raining.
Dean: You know her boyfriend killing himself, that's not really Charlie's fault.
Sam: You know as well as I do spirits don't exactly see shades of gray, Dean. Charlie had a secret, someone died, that's good enough for Mary.
Dean: I guess.
Sam: You know, I've been thinking. It might not be enough to just smash that mirror.
Dean: Why, what do you mean?
Sam: Well Mary's hard to pin down, right? I mean she moves around from mirror to mirror so who's to say that she's not just gonna keep hiding in 'em forever? So maybe, we should try to pin her down. You know, summon her to her mirror, and then smash it.
Dean: Well how do you know that's going to work?
Sam: I don't, not for sure.
Dean: Well who's gonna summon her?
Sam: I will.
Dean start to shake his head. He is not liking this.
Sam: She'll come after me.
Dean: Alright - you know what, that's it.
Dean pulls the car over, and shuts it off. He turns to face Sam.
Dean: This is about Jessica, isn't it?
Sam doesn't react, keeping his mouth shut, staring straight ahead.
Dean: You think that's your dirty little secret - that you killed her somehow? Sam, this has got to stop, man. I mean, the nightmares and-and calling her name out in the middle of the night-it's gonna kill you. Now listen to me-It wasn't your fault. If you wanna blame something, then blame the thing that killed her. Or hell, why don't you take a swing at me?
Sam reacts, looking over at Dean with a sad expression.
Dean: I mean I'm the one that dragged you away from her in the first place.
Sam: I don't blame you.
Dean: Well you shouldn't blame yourself, because there's nothing you could've done.
Sam: I could've warned her.
Dean: About what? You didn't know what was gonna happen!
Sam looks away from Dean, because he did, but he's not going to tell Dean that.
Dean: And besides, all of this isn't a secret, I mean I know all about it. It's not gonna work with Mary anyway.
Sam: No you don't.
Dean: I don't what?
Sam: You don't know
Sam looks at Dean once more.
Sam: all about it. I haven't told you everything.
Dean: What are you talking about?
Sam: Well it wouldn't really be a secret if I told you, would it?
Dean looks surprised. He thinks about it a moment, and doesn't like it. He's going to lay down the law.
Dean: No. I don't like it. It's not gonna happen, forget it.
Sam: Dean that girl back there is going to die unless we do something about it. And you know what? Who knows how many more people are gonna die after that? Now we're doing this. You've got to let me do this.

SHOP

EXT. SHOP - NIGHT
Sam is trying to pick the lock on the door. It opens and Dean and Sam see many mirrors are in this shop. Sam is holding a flashlight, shining it around.
Dean: Well...that's just great.
Dean pulls out the picture of Mary's dead body to look at the mirror. Sam holds the flashlight to see better, and they both memorize what the mirror looks like.
Dean: All right let's start looking.
They split up and walk around the store. There is a flashing light on the alarm system. It has been tripped..
Dean: Maybe they've already sold it.
Sam's flashlight stops on the mirror.
Sam: I don't think so.
Dean walks over to him and pulls out the picture again to compare. It is the mirror.
Dean: That's it.
Dean sighs.
Dean: You sure about this?
Sam hands Dean the flashlight. He slowly walks over in front of the mirror, Dean a step behind him. They stop in front, Dean by Sam's side. Sam sighs.
Sam: Bloody Mary. Bloody Mary.
Sam looks at Dean who gives him an unsure look back. Sam picks up the crowbar, ready to smash the mirror. He takes another steadying breath.
Sam: Bloody Mary.
The screen goes black.

INT. SHOP - NIGHT
The boys are waiting for Bloody Mary to show. A light flashes across. Dean turns to see a car's headlight coming through the store, from the front. Dean looks back at the mirror, while Sam's attention is caught by the light.
Dean: I'll go check that out. Stay here, be careful.
Sam readies the crowbar again. Dean pauses, turning back.
Dean: Smash anything that moves.
Sam prepares the crowbar once more, readying himself for when Bloody Mary shows. Dean stealthily leans over and walks slowly towards the front door. He sees a headlight.
Dean: Crap.
Dean puts the crowbar down and begins to walk to the door.
Meanwhile Sam hears a breath, so he turns to look at a different mirror, when the camera turns back to Mary's mirror, she is in it.

EXT. SHOP - NIGHT
Dean is facing police.
Police: Hold it.
Dean: Woah-oh-ooh guys, false alarm. I tripped the system.
Police: Who are you?
Dean: I'm the boss's kid.
Police: You're Mister Yamashiro's kid?
Dean has a start of surprise, as he absorbs this information.

INT. SHOP - NIGHT
Mary is in a different mirror now. Sam sees her there out of the corner of his eye and smashes the mirror with the crowbar. An inhuman roar is heard. She is in a different one now, and he sees her and smashes that mirror too. He is now back facing her mirror. Another inhuman roar
Sam: Come on.
Sam is breathing fast from adrenaline.
Sam: Come into this one.
Sam looks oddly at his reflection, which has now taken a mind of its own like Jill's. A quick faint trace of dark blood in veins under the skin, heading towards his left eye. Sam starts having trouble breathing and has a trickle of blood coming out of his eye. He drops the crowbar and grabs his heart.
Reflection: It's your fault. You killed her. You killed Jessica.
Sam cocks his head to the side, gasping for breath.

EXT. SHOP - NIGHT
Dean: Like I said, I-I-I was adopted.
Police: Yeah.
Dean is being covered back and front by the two cops.
Dean: You know, I just-I really don't have time for this right now.
Dean punches one cop, backhands the other, then punches the cop in front of him again. They are now on the ground.

INT. SHOP - NIGHT
Reflection: You never told her the truth-who you really were.
Sam is now falling towards the ground. He is fighting for air as the Reflection accuses him, losing his battle.
Reflection: But it's more than that, isn't it? Those nightmares you've been having of Jessica dying, screaming, burning-You had them for days before she died. Didn't you!?! You were so desperate to be normal, to believe they were just dreams. How could you ignore them like that? How could you leave her alone to die!?! You dreamt it would happen!!!
Dean screams as his crowbar goes through the mirror. Sam gasps in relief as Dean looks over. Dean bends down to check on Sam, dropping the crowbar.
Dean: Sammy, Sammy!
Dean grasps Sam's head, forcing him to look up at Dean. Dean is checking out the blood trails down Sam's face.
Sam: It's Sam.
Dean: God, are you okay?
Sam: Uh, yeah.
Dean checks the mirror behind him, then he starts to pull Sam up.
Dean: Come on, come on.
Dean pulls Sam up and puts Sam's arm over his neck, and they begin to walk out, until Mary, much like Samara coming out of the TV in The Ring, comes out of the frame of the mirror. They turn around to see her crawling over the broken glass. As Mary walks towards them, they both fall to the ground, in pain from her attack. They both start bleeding from the eyes, but Dean reaches up and pulls over a mirror so that Mary is forced to see her own reflection.
Reflection: You killed them! All those people! You killed them!
Mary starts choking to death and melts into a pile of blood. Dean throws down the mirror he held and it shatters. Dean is the first to recover, looking around, as Sam is gasping for air.
Dean: Hey Sam?
Sam: Yeah?
Dean: This has got to be like...what? 600 years of bad luck?
Sam chuckles weakly. Dean gives a half shrug back at him.
The screen goes black.

EXT. STREET - DAY
Dean and Sam are driving in the car with Charlie in the back. They pull up in front of a house. Dean turns the ignition off and turns around to face Charlie.
Charlie: So this is really over?
Dean nods.
Dean: Yeah, it's over.
Charlie: Thank you.
Dean reaches back to shake her hand, and she gets out of the car.
Sam: Charlie?
Charlie turns around.
"Laugh, I Nearly Died" by The Rolling Stones begins to play.
Sam: Your boyfriend's death...you really should try to forgive yourself. No matter what you did, you probably couldn't have stopped it. Sometimes bad things just happen.
Charlie smiles faintly, then turns around to go into the house.

Music:

I've been travelling but I don't know where

Dean hits Sam gently.

Music:

I've been missing you

Dean: That's good advice.

Music:

But you just don't care

Sam gives a half smile to Dean, as Dean starts the Impala.

Music:

And I've been wandering I've seen Greece and Rome

Dean and Sam drive off.

Music:

Lost in the wilderness So far from home

INT. IMPALA - DAY
Dean: Hey Sam?

Music:

Yeah, yeah

Sam: Yeah?

Music:

Been travelling far and wide

Dean: Now that this is all over-

Music:

Wondering who's going to be my guide

Dean: -I want you to tell me what that secret is.

Music:

Living in a fantasy but it's way too far But this kind of loneliness is way too hard

Sam: Look...you're my brother and I'd die for you-

Music:

I've been wandering, feeling all alone

Sam: -but there are some things I need to keep to myself.
Sam gives Dean a sad smile, as Dean give Sam a look of concern. He slowly refocuses back to driving.

Music:

I lost my direction and I lost my home...Well

Sam looks out the window and sees Jessica in a white dress on the street corner standing next to a light pole.

Music:

I'm so sick and tired Trying to turn the tide, yeah

As they turn the corner she disappears behind the pole, and doesn't reappear on the other side of the pole.

Music:

So I'll say my goodbye

Sam is craning his neck around to locate Jessica, as Dean glances over at Sam, wondering what's up.

Music:

Laugh, laugh I nearly died

She is no longer there, and Sam stops looking. He's fighting back tears, wondering why he saw her.
The screen goes black.
The Impala's engine noise roars by.